ABSTRACT
This study examines the interaction between the Memorial Complex to the Fallen Fighters of the Revolution in Shtip, designed by Bogdan Bogdanovic, and the topography of the Isar hill. While previous research has explored Bogdanovic’s distinctive approach to memorial architecture, there has been limited focus on how his monuments engage with their immediate landscapes. This study addresses this gap by analyzing the spatial, material, and experiential aspects of the Shtip monument, emphasizing its integration with the natural contours of the terrain. Using a qualitative research methodology, the study combines site analysis, archival research, and theoretical interpretation. Field observations document visitor movement, lighting variations, and the relationship between the monument’s form and the surrounding landscape. Archival sources, including architectural plans and Bogdanovic’s writings, provide historical context, while phenomenological and landscape theories offer a framework for understanding the spatial experience of the site. The findings highlight how the monument’s design fosters a ritualized engagement with the terrain, guiding visitors through a contemplative journey that enhances its commemorative function. By situating the Shtip memorial within broader discussions on landscape-based commemoration and site-specific design, this research contributes to a deeper understanding of Bogdanovic’s architectural philosophy. It demonstrates how the strategic placement of the monument, the use of natural materials, and the integration with the sloped terrain create a dynamic and immersive experience, reinforcing the monument’s symbolic and emotional impact. Keywords: urban landscape, topography, environmental Integration, cultural heritage, spatial interaction
REFERENCES
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