This study focuses on Skopje, examining how the city’s multifaceted history is reflected in the souvenir market. Souvenirs, as tangible symbols of travel, raise an intriguing question about how the essence of a place is captured and preserved. The objective of this research is to analyze the current souvenir market and explore how the designs of these items incorporate historical references.
The study centers on the souvenir booths located on the Old Bazaar side of the Stone Bridge in Skopje’s historic center. By conducting a content analysis of souvenir photographs, the study identifies the design elements that connect these objects to the region’s historical narrative. To interpret the data, Gordon’s classification of souvenir objects is employed, categorizing the items into five distinct types.
The findings reveal that these souvenirs reflect the intricate, multi-layered history of North Macedonia, with visitors showing a preference for portable, visually iconic, and culturally meaningful souvenirs across diverse object types. Through their design, these objects not only commemorate the cultural heritage of the region but also communicate its historical significance to both visitors and locals alike.
This study offers insights into how souvenirs function as vessels of cultural memory, capturing the essence of Skopje’s past and present.
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